"And that was now her great joy: to say to reality that she didn't need it, that she was no longer dependent on what happens in order to be happy...Each day I choose the truth by which I try to live"
Tuesday, September 14, 2010
FIR Reading Blog #12
Tuesday, September 7, 2010
FIR Reading Blog #11
The concept of a “man- eating society” means that the strong devour the weak. The madman could be said that he is a rebel and social critic whose madness is a kind of sanity that aims for progress or reform at both the personal and social levels of his society from the time of his living. His personal claims about his worldview of society reflect the rejection of an oppressive traditionalism, ignorance and conformity. Furthermore, he has deep sense of and feeling for the ironies, false appearances, and deceptions often involved in human social life.
Wednesday, September 1, 2010
FIR Reading Blog #10
Midnight's Children is the first-person narrative of Saleem Sinai, an obscure thirty-year-old pickle factory worker who writes the fantastic story of his life each night, reading it aloud each night and having it commented on by a doting woman named Padma. He starts his story by describing how his grandfather came to the Kashmir region of India in 1915 after receiving his medical degree from Oxford and how he was approached by a wealthy landowner to examine his daughter. He was not allowed to look at her, though, and during each examination for months could only view her through a hole in a sheet that was held up by attendants. Aadam Aziz, Saleem's grandfather, fell in love with his grandmother, Naseem Ghani, by viewing her in parts.
Insight
The book is an allegory, a tale, full of magical realism and little pieces are hidden and revealed, much like the famous perforated sheet metaphor that pervades the book. What was very flabbergasting for me was all the Indian history. I felt very ignorant about it all. I felt like I was missing something indefinable, something that I would get if I knew more about the history involved.
I still haven't finished, but I'd like to talk about one of the occurring elements. That sheet with the hole cut out that was the only way Saleem's grandfather, the doctor, could examine the girl who would become his wife. Isn’t it a dizzying idea? Here is an institution who wants to protect their girls and women so much, that they allow speculation about them? It seems this method of protection serves a paradoxical purpose. Aren't we reading this book through a sheet, too? Where the hole moves around and we can see one element of the whole story, but we have to make the connections for ourselves?
I can somehow relate to the story in a sense that I strongly believe it is possible to love someone in pieces, without knowing their whole being. When examining the relationship between Naseem and Aadam Aziz, it seems as though Rushdie is stating that one cannot love someone through a perforated sheet, without knowing their soul. Aadam and Naseem’s marriage became a battleground because they did not have a solid foundation of love to build upon. As a consequence, Naseem employed such tricks as attempting to starve her husband, and Aadam reacted by refusing to eat. Due to the fact that both Naseem and Aadam were quite stubborn, neither one of them refused to concede to one another. It makes me wonder if, for Naseem and Aadam, showing one’s true feelings would be to admit defeat.
Saturday, August 28, 2010
FIR Reading Blog #9
Sunday, August 22, 2010
Take- off Poetry
tears like flowing water
dried up by the sun.
The residue the tears left
is like salt to fill a
ten- pound sack.
A deep love felt for a father
is like a mother's milk
dried up from the shock.
I had enough in mourning
yet, for mom awaits
the enormous responsibility.
Found poetry
behind masks
that suggested other histories;
we touched hands
accidentally and our skin
sparked like a personal revolution.
We stared
across the room at each other,
waited for the conversation
and the conversion,
watched wasps and flies
battering against the windows.
We were children;
we were open mouths.
Open in hunger, in anger,
in laughter, in prayer.
Jesus, we all want to survive.
Saturday, August 7, 2010
Ghazal Poem
Shakespearean
Frustration Poem
Heartbreak Poem
Boredom Poem
Family Poem
Love or Lust Poem
Remembering O' sweet serenity days upon seeing you
Poetry Activity #1
Nursery Rhyme Poem
FIR Reading Blog #7
In a tribal society steeped in superstition, the spells of witches often are blamed for stubborn illnesses, a stroke of bad luck, the drying up of wells, crop failure or the inability to give birth to a son. But social analysts and officials said that superstition and faith in witchcraft often are a ploy for carrying out violence against women.
Insight
The novel demonstrates the transformation of a working class woman into a public scapegoat (the one who suffers in place of others) and ultimately, a subaltern woman with no bodily or social agency.
The depiction of Chandi as a “subaltern woman” reveals that those with dominion power gain from the preservation of the status of subaltern women. Subalternity is strictly constructed by society, and that the plight of these individuals advantageously serves those with dominion power. By presenting the plight of subalternity through this literay piece, there is hope that the plight of women like Chandi will create considerable drive for social change, as often, those who view these texts are complicit (aware and has the ability to report such incident) in the subalternity of women.
Tuesday, July 27, 2010
FIR Reading Blog #6
Thursday, July 22, 2010
Imagery
Letter to Poem
Tuesday, July 20, 2010
FIR Reading Blog #5
Friday, July 16, 2010
My Translation of Tabing Ilog sung by Barbie's Cradle
Tabing Ilog lyrics
The River
Translation of “Tabing Ilog” by Barbie’s Cradle
By the river, all the world is quiet
I am listening, to a wind that’s singing
While I’m waiting for you
I hope you come by, before darkness falls
The moments of rocking by the hammock
Of dreams that seem to have no end
The river is leading to a promise
That you’ll come back eventually
A smile, blowin’ in the wind
Tears like waterfalls
In a river with no secrets…
By the river, all the world is singing
I hope the wind won’t change, the songs that it’s singing
While I’m waiting for you
My eyes are gleaming, my heart is beating fast
The moments of swinging that cradle
Of dreams that seem to have no end
The river is leading to a promise
That you’ll come back eventually
A smile, blowin’ in the wind
Tears like waterfalls
In a river with no secrets…